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The spire of St James Church, Edinburgh Road. Photo: Bob McKillop

Each community group and organisation is founded on shared aspirations and beliefs and a common purpose. As each group interacts with the wider populace and other groups, it helps weave the rich fabric that makes a vibrant community tapestry. Accordingly even those who do not endorse every belief of another group have reason to celebrate its achievements as a contribution to the greater good of the community.

On Sunday 22 July, the congregation of St James Church welcomed all Castlecrag residents, via its new wheelchair accessible entrance, to celebrate the 60th (‘Diamond’) Anniversary of the first Church of England (now Anglican) service in Castlecrag. (A ‘church’ refers to a body of people professing the same Christian creed, not merely the edifice for public Christian worship.)

Originally in the Parish of St Thomas’, North Sydney, the Castlecrag area became the responsibility of St Stephen’s Willoughby, when that Church was founded. Archdeacon H S Begbie became Rector of St Stephen’s in 1921 and soon purchased land in Willoughby and Castlecrag. The Castlecrag site was on the corner of Edinburgh Road and The Parapet, but was subsequently sold when a new minister took over at St Stephen’s.

There were no services in Castlecrag until July 1947 when 16 people assembled at the home of Jack and Dorothy O’Connor. Worship at this venue continued for seven years. The name St James was chosen as younger brother of St John, the Willoughby sibling church. A Parents and Friends Association was also formed, making thousands of cakes and bottles of jam to raise funds for the Sunday School and proposed church building. By August 1949 a Building Fund was established and by April 1950 thanks to the generosity of Mr FW Turton, the rocky site on 184-186 Edinburgh Road was acquired.

On 24 July 1954, the lower church hall was opened and dedicated by Archbishop of Sydney and Primate of Australia, the Most Reverend H W K Mowll. This building served as a church, Sunday school and concert hall and centre of community activities. By 1956, the congregation had outgrown it and every Anglican family was approached for donations enabling a decision to build a new building and acquire adjoining land for a future church centre.

The present Church was designed by local architect John Brindley and features the acclaimed Bim Hilder foyer mural depicting scenes from Apostle James’ life. In November 1969 the Church Centre was dedicated by Bishop Hulme–Moir, a fitting climax to the work of Rev C E Reynolds, his planners and builders. The large debt incurred was repaid via musical comedies organized by Dorothy O’Connor with local youth, and Annual Art Shows organized by June and Barry Raymond. In 1987, St James Church was finally consecrated by the Bishop of North Sydney, the Right Rev D Cameron.

At the present, services are held at 8am each Sunday and the Sunday school has recently re-opened under the guidance of our youth worker Richard Sercombe. Bishop Peter Watson is the interim minister until Rev Robert Cameron arrives in February 2008.Each Christmas members carry out ‘Operation Caring Christmas’ delivering small cakes and similar ’goodies’ to residents who are unable to get out. If you would like to receive, or to give, please contact St James’ members.

Today, St James’ elegant design in light face-brick and stone tower topped by an unadorned wooden cross, floodlit at night, is a pleasing landmark and symbol of community cooperation that welcomes all. Please contact us on 9958 4377.

Bev Westwood and Esther Leslie, with Bruce Wilson

Rita Kaye in the 1990s

Marguerite (Rita) Elizabeth Kaye:

1917-2003

Marguerite Elizabeth Kaye, who has died aged 86, was a resident of Castlecrag for nearly 60 years and a former editor of The Crag. She is survived by her husband, Eric, her daughter, Barbara, four grandchildren and six great-grandchildren.

Marguerite, affectionately known as Rita, was born at home in Paddington on 3 July 1917. She was one of six children of Fred and Ethel Miller, and their only girl. After living in various houses in Sydney’s east, Rita’s family moved to Northbridge. Rita attended a youth fellowship group at St Mark’s church in Northbridge. She regularly attended the local movie theatre (near to the current Woolworths) on a Saturday. On one Saturday, Rita noticed a fine looking gentleman in the theatre queue and determined that they should meet. You will not be surprised to learn that Eric Kaye was oblivious to all but the newsreels and movies that he had gone to view. In stark contrast to the times, Rita brashly invited Eric to accompany her to a dance of the youth fellowship group and the rest, as they say, is history. Rita and Eric were married on 21 February 1942.

Rita and Eric always had a great love for the outdoors and their honeymoon was spent bushwalking from Bungonia down the Grose Valley to the Kangaroo Valley, including passing through the Blue Gum Forest, later photographed by another former resident of Castlecrag, Max Dupain. After they were married Rita and Eric moved from their family homes into “Wee Jean”, a shack at the end of the Castlecrag peninsula. In 1945 and 1947, they had two lovely young girls – Barbara and Margaret.

In 1948, Rita and Eric had almost saved enough for a deposit on a block of land further up the hill. They bargained the owner down and purchased 325 Edinburgh Road, an address that would remain theirs for more than 50 years.
In this post-war period materials were in short supply so the construction of their family home took a number of years. Rita was actively involved in the building and often told of her pride in the walls she had plastered. Many, many wonderful memories were created at 325 Edinburgh Road.

It is not hard to understand why Rita and Eric were attracted to Castlecrag. However, Rita and Eric did not merely adopt this suburb, they adopted the entire community. Rita became a voluntary librarian at the Community Library. Rita and Eric were members of the Castlecrag Progress Association for more than 50 years. Among the many tasks she undertook, Rita worked tirelessly to raise funds for community projects such as building the Castlecrag Kindergarten. Rita and Eric participated in numerous community campaigns opposed to the construction of the proposed Warringah Freeway which would have devastated their suburb. As we know, this was ultimately successful. Rita took on the role of Editor of The Crag for many years.

Another role in which Rita took immense personal pride was in the regeneration of Castlecrag’s bush. She participated in various groups, including one led by Beverley Blacklock and, more recently, WEPA’s Bush Regeneration team working in the Sugarloaf Catchment Creek.

Rita made many, many friends in Castlecrag, who will sadly miss her and fondly remember her.

There are some who pass this way and it is difficult to recall what, if any, impact they have made for doing so. Rita was not one of them. The contribution which she made during her life – to her family, her community and to her husband – is substantial and lasting.

The design and construction of the Griffin Memorial Fountain was one of the many projects that brought the Castlecrag community together. Harry Fox took this photo of the Bim Hilder sculpture for the fountain awaiting erection in 1965. A pram undercarriage appears to have been commandeered to assist with the task - they made them sturdy in those days!

Castlecrag is one of four communities selected for an exploration of ‘Life in the Australian city’, one of ten broad themes governing the National Museum of Australia’s (NMA) new permanent gallery due to open in August 2009.

The Creating a Country Gallery aims to represent the encounters of ideas, people and places that are signposts in the evolution of Australia’s social, political and economic forms. The detailed explorations of particular places will reveal the circumstances that produced these historical encounters, locating them in their geographical and social contexts.

For the exhibit on the Australian city, the NMA has deliberately avoided an abstract centred on the usual themes of the colonial townscape, changes to transportation and the growth of suburbia. This exhibit, like all the others in the new gallery, considers its theme from the perspective of place. Castlecrag will stand alongside displays on Bennelong Point, suburban Brisbane in the late-nineteenth century and Rottnest Island in Western Australia. Visitors will be encouraged to view each place as a particular reflection about how we have built our cities, how they have changed, and how we have responded to life in an urban environment.

The history of Castlecrag offers a fascinating way of exploring and reflecting on the ideas and values that have shaped our homes and our cities. An exhibit on Castlecrag has many tantalizing possibilities. Broadly speaking, the exhibit aims to introduce visitors to the Griffins’ social and architectural vision for a planned residential community. While the objects will tell how Marion and Walter went about building a unique suburban plan, visitors should leave with a strong sense of the Griffins’ philosophical understanding of urban life, the fusion between the natural and built worlds and the kind of society they dreamed of fostering.

The Castlecrag exhibit will revolve around four major themes. The first will consider the creation of Castlecrag and the Greater Sydney Development Association (GSDA). Here the primary objects will be colourful advertising and promotional material held by the National Library and the fabulous cinema advertisement, Beautiful Middle Harbour. The second theme centres on the knitlock machines held by the National Museum of Australia. I have written elsewhere that on first sight of these wondrous machines, I was unsure if they were an elaborate steel clothing press or some kind of medieval torture device. Patented in 1919, Griffin first experimented with the knitlock system in Melbourne and intended to build knitlock homes in Canberra. Yet, it was at Castlecrag where the knitlock system began to take on a much broader cultural significance. It has come to embody both Griffin’s idealism as well as his commitment to a practical, adaptable and democratic architecture.

The third theme heads inside to consider some of the values and attitudes inherent in the Griffins’ approach to interior design. In 1912, the strong-willed Marion revealed something of her attitude to cluttered, over furnished homes (amongst other things!) when she wrote:

The confusion to which we doom ourselves when we use figured wall papers, figured rugs, figured curtains, figured upholstery, is responsible for much of the weariness of the women who spend so much of their time in the house, for peevishness of children…and for [the] crouchiness of men who need rest when they come home from a day’s work…

A spartan Griffin designed desk and lampshade will be key objects in this part of the exhibit.

The final theme has a strong accent on the community of Castlecrag, both in the past and in recent times. Visitors to the gallery should sense the continuity between the Griffins’ vision and the current residents of Castlecrag who continue to celebrate this historical legacy. Few objects convey this with more force that the giant puppets of Walter and Marion. Like the other places being explored in the Australian Cities exhibit, Castlecrag will not be presented in some kind of historical time-warp, dislocated from present day concerns. Indeed, it is the continuities as well as the disjunctions with the past that will make for a fascinating, relevant and lively exhibit. In this vein, I look forward to recording (in a format to be determined) some stories about life in Castlecrag, life in a Griffin home, what attracted people to the area, and most importantly, some of the issues the suburb faces today.

Daniel Oakman, Curator

National Museum of Australia

Willoughby Council displays at the Fair. Photo: Bob McKillop

The 2003 Castlecrag Community Fair on 1 June was an outstanding success. Fine weather brought large crowds and the event served its purpose of bringing our community together. Once again, our mayor, Pat Reilly, officially opened the Fair and met with many of those attending.

All our community groups in The Crag conducted stalls or activities at the Fair and Willoughby Council was well represented with a range of education displays. There was a range of items on sale and all the community groups reported good support for their activities.

The Association extends a big thank you to Kathy Rosenmeyer and her helpers at the Trash and Treasure stall. We are indebted to all those who helped make this such a success. Thanks are also extended to the businesses which participated in the Fair and helped to make it a wonderful day for our community: Castlecrag Newsagent, Shamrock Meats, Rodney Clark, Castlecrag Florist, Castlecrag Quality Meats, Castlecrag Fruiterers, Momo Interiors, Castlecrag Pharmacy, Galleria, Mia, Travelplan Australia, Lunch, Clipso, Christina’s Restaurant, The Professionals, LJ Hooker, PRD Nationwide, Richardson & Wrench, Treats & Temptations, Flavours of Peking, Source and Castlecrag Cellars. With this generous assistance, we covered the cost of staging the Fair and there was a small surplus.

For nine nights during February and March, audiences at your Haven Amphitheatre were treated to William Shakespeare’s A Midsummer Night’s Dream, his most loved comedy, the way he intended – outdoors in the amphitheatre’s idyllic bush setting!

There was no better backdrop for this magical and romantic tale of warring fairies, Athenian lovers and a group of bumbling actors in a moonlit forest as they fall under the magical spell of the summer solstice. The Raw Em production was full of energy and fun; and Shakespeare’s tale came to life with all the vitality contained in the classic words of the play.

Those who attended were delighted by the uplifting adventure about love, chaos, marriage and dreams. We were pleasantly surprised at the number of young people who attended the performances, and they certainly seemed to enjoy themselves allowing the excellent performances of the players to carry them with much laughter through the classic story. The season was a great success for the Haven, with over 750 patrons attending the performances, even though the first weekend was troubled by uncertain weather.

Nine nights of commitment to running the theatre was a ‘big ask’ for any community group so, on behalf of the Haven Committee, I thank all those members of the community who gave willingly of their time to assist the Haven in the presentation of A Midsummer Night’s Dream.

What’s Next at the Haven?? Watch this space in the next issue of The Crag.

Howard Rubie

It is the practice of Willoughby City Council to send copies of DAs to each progress association within its area and the Castlecrag Progress Association is sent all DAs relating to Castlecrag. The Castlecrag Progress Association attempts to monitor all DAs relating to Castlecrag and to comment without fear or favour on those DAs that may have the potential to adversely impact on our community. The Association does this according to strict policy guidelines that are linked to its long-standing objective: ‘To conserve the natural and human heritage of Castlecrag for the benefit of future generations.’

Acquiescence to non-complying development that will impact upon our community will incrementally damage the special character of Castlecrag and reduce the enforceability of the planning controls.

To facilitate transparency and understanding of our policy and the processes followed in implementing the policy, the Committee of the Progress Association redrafted its DA policy last year. The redrafted policy was unanimously endorsed at the Progress Association general meeting on 23 August 2005. It was published in The Crag and is posted on the Association’s web site.

The Progress Association is pleased to report that it has only found need to object to or to comment on a small percentage of the large numbers of DAs received since August 2005.

The Association has, in accordance with its DA policy, commented on several DAs requiring a SEPP1 variation. This arises where a proposal seeks to depart from any mandatory standard contained in a local or regional environmental plan or state environmental planning policy such as site area requirements, maximum height or foreshore building line. In these cases the applicant must lodge a written statement known as a SEPP1 objection.

As the Progress Association does not always have the means in the time available to assess whether such a variation from the controls is justified and will not adversely impact upon the community, it will write to Council to remind it that consent should only be granted if the SEPP1 objection is well founded.

On other occasions if the applicant has not provided all documentation that is required by the planning controls for assessment of a DA, the Association will also write to Council to remind it that consent cannot be given until all the necessary information has been provided to permit a proper understanding of the proposal. The most common omission is the failure to provide a SEPP1 objection for a partial three storey development (which always requires a variation of the height standard), or a landscape plan, or a heritage impact statement for a development in the Griffin Conservation Area.

Jill Newton and Peter Moffitt

Some of you may have noticed work occurring at the Community Centre if you happened to vote there on Polling Day.

A new roof was installed over the Christmas period. Water from the new roof is to be collected in an 8000 litre water tank, plumbed into the toilets and for use on the garden. Additional work is also underway. Over the Easter break a pair of windows on the Southern wall will be converted into doors. These new doors will lead onto what should be a delightful new timber deck. There will be new storage sheds for the Centre’s tables and chairs.

The narrow western side will be landscaped and a path put in which will provide access to the bushland and rock ledges below the centre. This bushland has been quite inaccessible for many years and has some weed issues. The new access will facilitate Council and Community Bush Carers getting to work on the area. In time it may well form another bush track link down to Warners Park.

It is envisaged these works will be completed before the end of May.

Adrian Cox

Ward Councillor, Sailors Bay.

The classic lines of the Willoughby Incinerator building still stand out for their fine proportion and artistry. Bob McKillop photo.

Councillor Adrian Cox provided residents with an update on the status of the former Willoughby Incinerator building at the February General Meeting of the Progress Association. The building has been vacant for several years and its future has been the subject of ongoing negotiations between Council and the mortgagee in possession.

Cr Cox said that a likely outcome is that the lease will revert to Council, which will then be responsible for carrying out significant restoration works. This action has been covered in Council’s Property Management Plan, which gives the long-term future of the building as a ‘public use option with future recommendation of the Cultural Facilities Plan.’ The meeting was advised that Council proposes to apply for a Place of Public Entertainment licence that would allow its use for a café, art gallery, an art workshop or similar purposes.

Many regard the building as Willoughby’s most important heritage asset and it has been widely featured in promotional material. The building was designed by Walter Burley Griffin and Eric Nicholls in 1933 and constructed by the Reverberatory Incinerator & Engineering Company for Willoughby Council.

Following its closure, Colin and Garry Dilworth obtained a 50-year lease of the building in 1979 and converted it to a restaurant. This closed in 1988 and the building was converted into commercial offices. The building was severely damaged by fire in late 1996. After a further resale of the lease, the fire damage was restored and the building was again sub-let as a commercial office, but the building has been vacant for the past three years.

The Progress Association is most appreciative of the efforts by Council to achieve a satisfactory outcome for the future of this iconic building and it looks forward to its use for functions that will a wider public appreciation and use of its facilities.

Editors

A key focus for the NSW Fire Brigades is assisting communities to prepare for fires and minimise the risk.

Terry Munsey, Deputy Manager, Bushfire Natural Hazards Protection Unit of the NSW Fire Brigades (NSWFB) was the Guest Speaker at the Castlecrag Progress Association’s General Meeting in February. He spoke on the formation and operation of Community Fire Units (CFUs).

Terry stated that the interface between residential areas and bush is a wonderful living environment, but also generates risk of fire. Landowners on the interface with bush have the responsibility for managing the fire risk. These risks relate to three stages of a fire – before it gets there, during the fire and after the fire (e.g., cleaning the roof is important, but not once the fire is on its way.) In the Blue Mountains bushfires of 1994 more people were injured falling off their roofs than by the fires. Property owners need to minimise the risk to their homes and to their neighbours. The local council has a huge task to manage the risk with a bushfire preparedness plan.

The NSW Fire Brigades’ priorities are firstly, your personal safety, secondly, your house, and other assets after that. They work with local councils to develop sound bushfire management plans. Willoughby Council invests a lot of resources to manage the bushland-property interface. The principle is to make the houses at this interface more prepared to counter the fire risk without causing drastic changes to the landscape and associated negative environmental impacts that may occur with widespread hazard reduction measures. Local areas need different approaches, depending on the vegetation species, etc. If the preparation measures are in place and sound hazard reduction strategies are carried out, you will minimise the risk of property damage from bushfires.

CFUs in NSW

The development of CFUs has occurred as the result of the catastrophic bush fire event in 1994 (e.g., in the Lane Cove Valley). Under these conditions, there were not enough fire engines to attend to all calls. Therefore a new strategy was developed to empower people to prepare prior to a fire. There are now 357 CFUs in NSW with over 6000 people in the program. While units occur across all of NSW, they are predominantly in the metropolitan area. The preparation that occurred through CFUs in the Hornsby area prior to the 2002 bushfires (which were very similar to those of 1994) meant that these fires had little impact and not a single home was lost.

About 50 CFUs a year are being formed. They are not intended to be fire-fighting units – the emphasis is on prevention and property protection. Currently there are three CFUs in the Middle Cove/Castle Cove area and the NSWFB is in the process of establishing a fourth. A problem is the high rate of dropout of members – as people are increasingly resource-rich and time-poor.

The NSW Fire Brigade Act gives NSWFB the power to undertake action to extinguish fires, and a change in the Act in 2005 gave the NSWFB responsibility for training CFU members through local fire stations.

The CFU concept

The aim of CFUs is to have communities better prepared when there is a fire in, or approaching, their area. They are located on the urban interface within the NSWFB area and each CFU has a limited area of operation. CFU members work alongside fire fighters, but focus on property protection. The program is not intended to train fire fighters. Units can be equipped with either cabinets (boxes) or trailers and members make a commitment to undertake regular training.

CFU activities include equipment training, education and preparation prior to fire activity. CFU members are required to undertake 12 hours per year to supervised training. This allows NSWFB to assess the preparedness of each CFU.

The NSWFB keeps constant contact with CFUs, and their operation is restricted to very small neighbourhood area. Each CFU is structured under a team leader, who is the point of contact for the CFU. CFU members are covered for workers compensation and liability insurance.

CFUs are informed about fires in their area and need to contact ‘000’ prior to commencing any activities during fires. The CFU regional coordinators respond to fire activity where CFUs are engaged in fire management. ABC Radio is widely used to get information out to communities.

Establishing CFUs in Castlecrag

Castlecrag, with all of its bushland reserves, would benefit by having a number of CFUs established. For example:

  • Residents adjacent to the Castlecrag Northern Escarpment might be interested in forming a local CFU;
  • The Bulwark area will soon apply to form a CFU (Contacts for this: Richard Newton tel. 9967 4933 or Peter Moffitt tel. 9958 1213).

If your neighbourhood might have an interest in forming a CFU, we suggest that you convene an informal gathering of your neighbours in the first instance; there is an application form on the NSW Fire Brigades website or you can email for more information to cfu.nswfb@nswfire.nsw.goc\v.au.

Of course, if you would like to post a notice in the next issue of The Crag to invite neighbours to get together for this purpose, just contact The Editor and we will be glad to help.

Lorraine Cairnes and Bob McKillop

The Griffin Memorial Fountain again stands out as a beacon that symbolises Castlecrag's origins. This scene on 21 March 2006 shows the landscaped island. Next time we will show it with water. Bob McKillop photo.

All Castlecrag residents will have noted the refurbishment work being undertaken by Council on the Griffin Memorial Fountain at the intersection of Sortie Port and Edinburgh Road. The island has been landscaped, the bowl has been repaired, the pump and jets have been refurbished and new lights will shortly be fitted. Willoughby City Council undertook this work in close consultation with the NSW Heritage Office under its maintenance budget.

Bob McKillop and Cr Trevor Morgan reported this good news at the Progress Association General Meeting on 28 February. As the refurbishment does not entail a modern water treatment facility, the operation of the fountain will require regular checking and cleaning of the fountain by local residents. To this end, the Progress Association has formed a ‘Friends of the Fountain Group’, which will inspect and clean the fountain on a roster basis using a kit supplied by Council. A number of residents have already nominated for the Group, but additional support is welcome. Please contact the Progress Association Secretary at 6/77 Edinburgh Road, Castlecrag or phone 9958 5384.

With the formation of the Friends Group, Council will have the fountain operating again in the next few weeks. Council will continue its efforts to obtain additional resources to upgrade the fountain over the longer term.

Progress Association President John Steel has congratulated Council for its achievement in refurbishing the fountain to operating condition and expressed his appreciation of the efforts by Councillors Morgan and Cox in gaining this positive outcome. He said:

“The Griffin Memorial Fountain was constructed in 1965 as a result of a community fund-raising effort to mark the Centenary of Willoughby Municipal Council. The magnificent water sculpture by Bim Hilder was created as a memorial to the creator of our suburb, Walter Burley Griffin. Local residents also helped with the construction. The Mayor, Alderman Laurie McGinty, unveiled the fountain on Centenary Day, 23 October 1965, to the great pleasure of the many residents who attended. It continued to be a feature of the suburb until recent years and has been listed as a heritage item of State and Regional significance by Willoughby Council. The Progress Association has made its restoration a priority project for the community and the funds raised through the Castlecrag Community Fairs have been set-aside for this purpose. The Progress Association will continue to liaise with Council for the long-term conservation of this local icon.”